We're back with another Top 10 post, and this one is pretty much a dick move, bro. We asked the random people who pass through the Banana Stand which bands they assume are probably really good, but for one reason or another they just can't seem to give two shits about. We'll attempt to determine just why the bands on this list are so fucking unimpressive to the people that hang out with us.
Read more »Talkative - Live from the Banana Stand is our first release of the 2012, and can be downloaded in its entirety for pay-what-you-want on January 10, 2012. We're very proud to start off what we know will be an incredible year with a such a talented up-and-coming band. We hope you enjoy. Be sure to look back here every couple weeks for more album releases.
We didn't know what to think once we realized how many different sounds we needed to record when Talkative started the night on May 28th, 2011. The band had driven up to Portland and were playing along side the relatively standard three-piece group The Polyps, and the drum and guitar duo known as The Blast Majesty. Luckily, the added effects and time taken to set up all of the different microphones, direct-input signals, guitars, and drums were well worth the effort as Talkative easily became one our favorite recordings from the year.
While the group definitely have some strong Animal Collective influence, the drawn-out ambient noise can linger in a psychedelic groove or burst into an all-out rock freak jam that seems to be popular with everyone in Oregon who enjoys mind bending from time to time, making them unique. I won't deny that some of the songs don't jump out at a listener right away, but give the band time to build the tone and you'll apperciate the pay-off all the more when all of the different components come together.
Read more »Soon after helping propel And And And to being named Willamette Week's Best New Band of 2011 (previous winners include Sallie Ford and The Sound Outside, Explode Into Colors, The Shaky Hands, and more), Tyler Keene left the group to focus on his own style of music under the name Log Across The Washer. Although less than a year old, the ever prolific Keene has released a free collection of twenty-seven songs (.zip) that hint at his previous group's roots, but reveal a sound that's unlike anything else in Portland today. Be sure to download the tracks, especially "The Emmys," which was easily one of the Top 5 songs released in the city last year. We asked Keene and new band members Jackson Bihler and Steve Schob some questions about live music in preperation for their secret, live recording here at The Banana Stand. We hope to see you out at the show.
How long has the band been together in its current form? How did it come together?
Current form, since 12/29/11.
Tell us your thoughs about recording live. What makes you want to record at The Banana Stand?
Jackson Bihler: We're glad the 'Stand wants to record us because we love the easily metabolized character of bananas. You will be providing bananas, right?
Read more »I had originally thought about doing a Top 25 regardless of style, but since we're sticking with this Top 10 thing, and because Kyle already did a really great run down of the 50 Best on his sick blog, I thought I'd narrow down my favorite music of the year to a single category that I believe was especially excellent this year.
Hip-hop has gone through a great many changes over the years, and the democratization of music with online platforms seems to be embraced by rap artists more than any other genre of musician. And in that manner, a good number of albums on this list are avaible as a free download. I'm by no means and expert, but I hopefully you'll enjoy the recommendations.
Read more »Since 2006, Justin Ringle has been releasing expertly crafted folk music with a rotating cast of band members under the name Horse Feathers. Roughly every other year, the group has managed to release a new full-length album of superb quality while touring across the United States and Europe. Currently, Ringle & Co. are back in the studio working on the follow-up to 2010's Thistled Spring that was released by Kill Rock Stars.
Don't make the mistake of consdering Horse Feathers just another folk act from the Pacific Northwest. Although the genre is well-worn in our neck of the woods, the construction of thoughtful melodies and empty space make Horse Feathers something all together more ethereal. The best word I can think of is craftmanship. Like a solid oak table, Horse Feathers build songs to last. And it's the earnesty in the songs that give Horse Feather an edge about others in the field, even when playing someone else's song.
Justin Ringle was kind enough to chat with us about working on the band's new record, touring, and his favorite moments playing live over email earlier this month. We wish him and the rest of members of Horse Feathers all the best as they continue to create what will no doubt be another fine album in their already admirable history of releases.
Read more »Towering Trees - Live from the Banana Stand - download it now using the links above! We hope you love it.
We invited Towering Trees to record live at The Banana Stand on the strength of their catchy-as-hell Proto EP, which, in addition to having great album art, quickly became daily morning listening material for me soon after I discovered it. Five tracks from this band were not enough, and so we determined to record them -- if for no other reason than to have more of their material to listen to and enjoy for year to come.
We and the audience of our April 30th show were well rewarded for that invite. I really like the album that resulted. I was familiar with the sound of the band from their EP -- Will Carpenter's winsome, soulful pop guitar lines, Sawyer Simonson's melodic bass complements and Tom Manning's excellent drum work -- but was delighted by the additional range they displayed in their live performance. Songs like the Unattractive Years, the preview track, show how the three's work combines to create a feeling of coolness and hopeful detachment (perfect for Portland). The remainder of the album demonstrates the range that the trio is capable of, which impressed us as well.
Read more »Fuck Monday, right Garfield? We agree. Here are ten songs that we think will help you get the week started off to its ass-kicking best. As always, these songs were picked by random people using a dry erase board in our kitchen. We recommend these tunes be listened to while enjoying a large cup of damn fine coffee, and hot too. We prefer Courier Coffee roasted right here in Portland, Oregon. But, feel free to subsitute your local brew if you're not as lucky. So, the next time you're dreading having to get up to go to work and see that stupid shit of a boss that you have to sell your fucking soul to for an hourly wage in order for this house-of-cards consumer hell we've made for ourselves here in America to continue, crank up the volume on the tracks below and maybe you won't feel like setting the whole damn building ablaze.
Read more »Youth is one of the fastest growing bands in Portland at the moment, which is even more admirable considering the group isn't simple to track down online without using a dash of Boolean logic. Despite not having a particulary easy name for Google to find, Youth is attracting an increasing number of fans for their lush, surf-style sound and catchy hooks. Coming off tour with Wild Ones and local-stars Typhoon, Youth will be recording at The Banana Stand later in the month of November, and we couldn't be happier to have a band of their caliber in to create an album. Youth's guitarist Maggie was kind enough to answer a few questions about their music prior leaving on tour earlier this month.
How long as the band been together in its current form? How did it come together?
With our current lineup (with Matthew on bass) we have been together since May of 2011, though our core members Maggie, Stephen and Elec have been playing together since June of 2010, with a couple of friends rotating on bass. Youth started as a home recording project between Elec and Stephen in February of 2010 and asked our friends to join in order to create a fuller sound and a live set.
How would you describe your sound? What are your key influences?
Our influences stem from so many things, I think we have elements of pop, rock and roll, psychedelia, surf and folk but people's descriptions of our music tend to vary. Some key influences are Pavement, early Beach Boys records, Beulah, a lot of the bands on the Woodsist record label, and most importantly our friend's bands. Hearing all of the great music our friends are writing is really exciting and inspiring.
Read more »We'd been interested in recording No Kind of Rider ever since seeing them play at Mississippi Studios with The Greater Midwest. The band sometimes likes to joke that they get unfairly compared to TV On the Radio because of their appearance in the monochromatic Portland, but their sound is nothing like the Williamsburg art scence. The timing just never seemed to work out to get them into the studio. But now, we're happy to announce that No Kind of Rider will record with us before a live audience, in secret. To get you ready for the show, drummer Jon Van Patten answered our questions on the band's behalf.
Banana Stand: How long has the band been together in its current form? How did it come together?
No Kind of Rider: The band, with its five members, has been together approximately five and half years. We began playing together in late Feb/early March of 2006. Four out of five of us, Wes, Sam, Joe and myself (Jon), knew each other from high school in Tulsa, OK. The other member, which was Jeremy, became known by Sam and Joe from university. I had been playing in another band for roughly a year in Dallas, TX and by end of that year the band had dissolved over a period of a couple months. I moved back to Tulsa to work and go to school. Three months had gone by and I had been feeling restless, began looking for some people to play with and miraculously, got in touch with Sam through this weird website called Myspace. I think our moms had something to do with it. Thanks Mom. It was odd because I had never really been close friends with Sam or any of the other members, but we knew of each other and found to our delight, the five of us all got along quite well from the very beginning. Musical interest as well as personality was on par, which is rare. At the end of the night, after setting up and playing together for the first time, I looked around at the guys and said, "I'm gonna leave my drums here." They looked at me and the general consensus was, Yep, that seems like a good idea. And now, here we are, five and half years later.
Read more »Portland is the home of many well-known bands, and following our interview with Portugal. The Man, we've decided to reach out to other great musical groups in the city to hear their thoughts about live music and the professionalism it takes to make it big.
The Thermals have become one of the most respected bands in the industry for a variety of reasons, not least of which is their dedication to a hard-working ethic. With five full-length studio albums out in just under ten years (most produced by Death Cab for Cutie's Chris Walla for Sub Pop, but some through Kill Rock Stars), The Thermals are an admirable aspiration for novice bands in Portland or any other city. Plus, the band has managed to stay relevant and popular without selling-out to big businesses for things like car commercials or other products they band doesn't feel comfortable supporting, something that in today's music industry of slim profit-margins is as praise worthy as their dedication to killer tunes.
Kathy Foster, bassist for The Thermals, is in her own league of professional success having also been the drummer for All Girl Summer Fun Band in addition to working solo material. While ordering up all of All Girls Summer Fun Band's previous albums, Banana Stand Media got in contact with Foster, who was kind enough to answer some questions.
Read more »The Woolen Men - Live from the Banana Stand is now available. Please download your copy using the "Download" link above. We hope you dig it a lot, we do!
The Woolen Men came to us by recommendation of Alex Arrowsmith ('Stand mixer) and Mayhaw Hoons (The Shaky Hands, Death Songs, The Minders). I'm really glad we followed that recommendation, because I love this band, and I like this release tons. I can't talk about The Woolen Men's music academically -- as it relates to other genres or even to the Portland scene (though I believe I have heard from the guys that New Zealand is a big influence), but I can tell you what I like about it and those that perform it.
I love how this album starts. I love how Voulez Vous begins, with Raf Spielman's cool, detached drum line -- reminiscent of what seems to be a post-beach explosion in Portland, but with it's own character. I love the distorted guitar hook, and its interplay as a melodic voice with Lawton Browning's vocal work. And I adore Alex Geddes's bass work, the under-appreciated glue that holds so many of these tracks together. (Alex, in my opinion, is a great bassist. I always really dig his stuff.) The following tracks -- Living Proof and Land of Laughs provide a great pop counterpart to more experimental, avant tracks like Donkey Island and Trapdoor (for months my choice for drunken, post-show dancing). This balance is apparent throughout the rest of the album, with tracks like On Video Beach and the epic close, West Coast.
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